If the early music movement had to fight its way to recognition by way of some basic clichéd principles such as the banning of vibrato and the fussing over correct ornamentation, then where are we now, more than half a century later? This post will be the first in a series of posts that discuss what are generally considered the guiding principles of good music making in today's early music world.
To begin with, I will focus on the "behind-the-scenes" elements to early music making; the elements which we believe are important to consider before even playing a single note. Later posts will feature more specific elements of performance (such as the use of vibrato) that make a significant difference in the actual playing of the music itself.
1. Use of appropriate instruments and materials
Central to historically inspired performance is the belief that the most ideal instruments to use for any particular piece of music are those instruments that existed and were used at the time of composition.